![]() Spiegel Fund Events are designed to raise the level of conversationĪmong Penns students and faculty about art-particularly art that crosses disciplinaryĪnd cultural boundaries.When Alex & Olmsted’s Milo the Magnificent visited the Detroit Institute of Arts last spring, this incredibly expressive duo wowed visitors with magic and lead everyone willingly into a suspension of disbelief. Now you can enjoy their work from home along with puppet making videos on their YouTube Channel. You can even catch Milo’s (modified) act again, along with several other fabulously talented puppet artists, by watching The 2020 National Puppet Slam: Slamdemic which was hosted live on Ibex Puppetry’s Facebook page. ![]() Support an innovative, interdisciplinary approach to education that will enhanceĬollaboration at the University of Pennsylvania among academic departments and cultural ![]() Spiegel Fund to Support Contemporary Culture and Visual Arts has been created to Of ICA, and the University of Pennsylvania. Inc., the Overseers Board for the Institute of Contemporary Art, friends and members Goldsmithįoundation, the Commonwealth of Pennsylvania Council on the Arts, The Dietrich Foundation, Additional funding has been provided by The Horace W. Philadelphia Tourism Marketing Corporation The Chodorow Exhibition Initiative Fund Īnd the Philadelphia Exhibitions Initiative, a program of the Philadelphia Centerįor Arts and Heritage, funded by The PEW Charitable Trusts, and Administered by The Toby Fund The Bandier Family Foundation Goldberg Foundation Sotheby’s Greater Aronson Įtant donnes: The FrenchAmerican Fund for Contemporary Art Susquehanna Foundation "ICA acknowledges the generous sponsorship of Barbara B. Guy Ben-Ner Nayland Blake Louise Bourgeois Maurizio Cattelan Anne Chu Nathalie Djurberg Terence Gower Handspring Puppet Company Pierre Huyghe Christian Jankowski Mike Kelley William Kentridge Cindy Loehr Paul McCarthy Annette Messager Matt Mullican Bruce Nauman Dennis Oppenheim Laurie Simmons Kiki Smith Survival Research Laboratory Kara Walker Charlie White This exhibition premiered at ICA and traveled to the Santa Monica Museum of Art, California The Contemporary Museum, Honolulu, Hawaii the Contemporary Arts Museum, Houston, Texas and the Frye Art Museum, Seattle, Washington. Initiated by Ingrid Schaffner, senior curator, the exhibition is co-curated with Carin Kuoni, director of the Vera List Center for Art and Politics at The New School, New York. Artist Terence Gower has designed the structure, staging the entire installation with reference to the uncanny, theatrical displacements of scale, and the backstage world of the theater. John Bell, an internationally renowned puppeteer and historian of puppet theater. It will feature a historic collection of puppets from the collection of the Ballard Institute and Museum of Puppetry at the University of Connecticut, selected by the Institute’s director, Dr. Together with these collective points of reference, The Puppet Show poses a larger cultural question: why do puppets matter now?Īt ICA, the exhibition opens with a discrete structure dubbed “Puppet Storage,” filled with pictures, props, and other source material collected from artists’ studios. On a more political note, current events and national leadership raise questions of agency that cogently relate to puppets. More recently, puppets have taken hold of pop consciousness by way of films, theater, computer games and animation. Ubu’s reign continues with the work of the South African artist William Kentridge in collaboration with the Handspring Puppet Company. The Puppet Show takes as a historic point of departure one of the first episodes of avant-garde art history: Alfred Jarry’s 1896 play Ubu Roi that was conceived as a puppet show. Collectively these works show puppets to be a provocative and relevant imagery-one that moves deeply into social, political, and psychological terrains. Other images evoke topics associated with puppetry (manipulation, miniaturization, agency, control). Some of the works involve actual puppets (marionettes, shadow puppets, hand puppets) and artists performing as puppeteers. The exhibition concentrates on sculpture, video and photography. International in scope, The Puppet Show brings together 30 artists and several generations, as reflected by works that range from a 1974 installation by Dennis Oppenheim to a new animation by the Swedish artist Nathalie Djurberg. The Puppet Show is a group exhibition that looks at the imagery of puppets in contemporary art.
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